10/26/06

This 17th-century working church/performance space has risen from the ashes.

by Contributor

Overview
Experimental dance found a home as early as 1911 with the arrival of William Guthrie. After the rector installed marble lions at the entrance, painted the church a lively pink and installed theatrical lighting, his first concert, entitled Ritual of the Zuni Cornmaidens, scandalized decent New Yorkers by presenting barefoot dancers in the church. In 1934, Ruth St. Denis performed her Gold Madonna upon Guthrie's invitation. Forty years later, the church solidified its commitment to dance with the establishment of Danspace, which programs modern dance regularly.

The Experience
This sanctuary is one of the few venues showcasing contemporary dance alongside 19th-century stained glass. Gracefully curving naval arches echo from floor to ceiling, even in the altar, which most choreographers incorporate into site-specific works. The acoustics are remarkable, and choreographers as diverse as Lucinda Childs and Dan Froot, have turned St. Marks into a nightly religious experience.

05/13/02

Great space, great performances

by susanchenelle_citysearch

St Marks Church should be worshipped just for hosting Poetry Project's excellent readings and workshops. The annual New Year's Day poetry marathon is a New York cultural institution.

• Pros: Great schedule
• Cons: Not air-conditioned